For my thesis project, I used experimental typography to interpret poetry. I aimed to explore how Roman and Farsi letters could coexist on the same surface. Working with the conflict between these two languages, I focused on how they could adjust themselves formally next to each other. I utilized the sculptural potential of Farsi words and made them the centerpiece of my posters. By demonstrating the fluid mingling of Farsi and English letterforms, I aimed to symbolize a relationship between cultures.
